The Latest Buzz
- PonoMusic: We Hear You Loud & Not So Loud, But Clear
- SXSW 2014: Musicians to Watch
- This Buzz for You: Elizabeth & the Catapult, Like It Never Happened
- Grammy 2014 Predictions: Who Will Win vs. Who Should Win
- Favorite Albums 2013: Special Edition
- Erin McKeown Celebrates The Holiday Season With An Anti-Holiday Tour!
- Most Buzz Worthy of 2013: Halfway
- THE ISLE OF YOUTH, LAURA VAN DEN BERG (Book Preview)
- This Buzz for You: Joy Kills Sorrow, Wide Awake (EP)
- This Buzz for You: Noah & the Whale, Heart of Nowhere
PonoMusic: We Hear You Loud & Not So Loud, But Clear
A "revolution in the way people can listen" to music says PonoMusic founder, Neil Young. The PonoPlayer was unveiled during the 2014 South by Southwest Festival. It was an event like many, media ready with laptops eager to break any news, first.
Neil Young, and a new music player? It wasn't just any old festival keynote. Many involved with PonoMusic are calling it a "revolution" in the way a consumer will hear music. An audiophile and techie, I listened carefully. As it turns out, listening carefully is exactly what the PonoPlayer allows one to do.
Throughout the process of recording, mixing, and mastering in a studio, one hears the reverb of a crisp clash of a hi-hat or final strum of a guitar. That is, all of the subtleties instruments produce as they are being played and recorded, one hears during playback in a studio. The PonoMusic team created the PonoPlayer, a pocket-sized device, which allows listeners to hear their favorite music in stunning, as close to studio as one can get, quality.
(Photo: PonoMusic Team)
A high resolution master copy of your favorite artist's original recording is a huge file. While demand for portable music has increased, the size of the original file has had to shrink. In order to fit a recording onto a CD, the original file is compressed. In order to carry around thousands of mp3 files on our various pocket sized devices, the files are compressed more, squeezing most of the aforementioned subtleties and all of the incredible ear candy from the original master recording.
The PonoMusic team aims to give the music consumer the choice to hear their music with all of the original ear tingling goodness the artist intended, and heard during studio playback.
From the team, "PonoMusic starts with the best ingredients – artist-approved digital masters sourced directly from all the major music labels. Every artist you know and love, plus new releases as they come out. PonoMusic honors the music at the level it was created – it holds up a mirror to the artists’ original vision, reflecting it with perfect clarity."
Is it worth it? I was geeking out upon first listen. I went to Kickstarter, and preordered ASAP. The PonoMusic project was fully funded within 24 hours. Less than twenty days remain to take advantage of the perks of the Kickstarter campaign. Discounts on the retail price, limited edition "artist series" players are up for grabs (your PonoPlayer will be chrome with the artist's signature etched on the side), etc.
PonoMusic is a complete ecosystem. Purchase your PonoPlayer, which easily fits into most pockets or purses, and next the ear-tingling music. High-resolution digital albums at Ponomusic.com are expected to cost between $14.99 -$24.99. The PonoMusic team states, "For this price you get the best quality digital music available anywhere, you own these albums forever - they don’t live only in the cloud, but also on your computer and backup disc, and you can play them anytime you wish on your PonoPlayer or other compatible devices. We will also be offering many of your favorite individual songs. We'll let you know the pricing soon."
A music fan? It is worth a visit to PonoMusic's website to read more: http://www.ponomusic.com
SXSW 2014: Musicians to Watch
As those of us in the Northeast region of the US shoveled out from snow this winter, we dreamed of Austin in March! The Buzz About is thrilled to be a part of another SXSW Festival. 2014 brings lots of exciting film, technology, musicians, and loads of people to the incredible city of Austin, Texas. We confess our excitement at catching Kendrick Lamar and sneaking a peak at Lady Gaga as they headline major events, but we wanted to share who we are most looking forward to seeing perform, and who we think you should know or may know soon after the festival ends.
Australian native, we adore everything about Betty Who. Her vocals, live performances, and genuine love and energy for her work is refreshing.
Check our tour dates and more info at bettywhomusic.com
First caught Sohn live in the UK, and on April 7th, he releases Tremors, his debut solo album.
Look for tour dates, and more info at sohnmusic.com
Samsaya's energy and overall musicality are infectious.
More info: http://www.samsaya.com/
"World infused psychedelic pop" write Incan Abraham to describe their sound. It is intricate sound, but so easy on the ear.
More info: http://incanabraham.com/
Jessica Lea Mayfield
Minimalist? Occasionally, but she should make Kent, Ohio proud. We love Jessica's vibe.
More info: http://jessicaleamayfield.com/
Lydia returns to SXSW with her signature cool country stylings.
More info: http://lydialoveless.com/
Polyrhythm and pop? Meet the genius of Tomas Barfod. Nina K adds her pure vocals to the single from Barfod's latest project, and we are hooked.
More info: http://tomasbarfod.com/
The Last Internationale
New York based rockers, The Last Internationale, will bring their fierce guitars and haunting vocals to SXSW. Rock done right.
More info: http://thelastinternationale.com/
This Buzz for You: Elizabeth & the Catapult, Like It Never Happened
When she sings, "I wish I didn't give a fuck," Elizabeth Ziman, Elizabeth in Elizabeth & the Catapult, smiles the sweetest smile you can imagine in spite of (or, perhaps, because of) such line. The track, "Wish I Didn't," is both a bitter and biting love song (and, admittedly, my favorite) from Ziman's album, and is a good one-track example of what to expect from Like It Never Happened: catchy pop, but with delightful incongruities that leave you wondering where this kind of pop has been.
Just as you don't expect a line containing "fuck" to come after the layered vocal opening of "Wish I Didn't," you don't expect the album's first track, "Happy Pop" to not be happy. It's in the title, after all. Yet, the immediacy of the hard, plucked, repetitive piano notes combine with lyrics about the music industry, expectation/approval, and listener consumption that are frank, honest, and realistic. Ziman is unafraid in this album to tell it exactly how she sees it--an honesty that's not always comfortable to hear, if what you're expecting is mass consumption manufactured happy pop. Her forthrightness never seems or sounds like a drag: while musical arrangements have a simplified feel, they are playful and playfully inventive. The tracks "Sugar Covered Poison" and "Please Yourself," for example, sound as if you're entering under the big top into a world of carnival burlesque and, somehow, neither sounds out of place listening to the album as whole.
Compared to the band's earlier releases, Like It Never Happened is more lyrically driven, as Ziman admits she "wasn't trying to be as clever or as intricate musically." This back-to-basics simplicity is emphasized in her choice to include a cover of Daniel Johnston's "True Love Will Find You In The End," set simply to Ziman's piano playing. The track's arrangement forces you to focus on Johnston's lyrics and song writing style, which Ziman describes as "so primitive...but somehow says so much in so few words." The same can be said of Ziman's own track "Someday Soon," for its similar quiet and ability to pack a lot into seemingly sparse turns of phrase.
Ziman describes Like It Never Happened as "organic, effortless, inspired, fast, and furious." I say, if you're one of many who's endured what seems an interminable winter, Like It Never Happened is a very fine, fun way to welcome your ears to Spring.
Like It Never Happened is available now.
To keep an eye on Elizabeth & the Catapult's performance dates, check out her website.
Grammy 2014 Predictions: Who Will Win vs. Who Should Win
Grammy 2014 Predictions: Who Will Win - Who Should Win
The 56th annual Grammy Awards will take place this Sunday night (Jan. 26) at the Staples Center in Los Angeles. We’ve debated the headlines; where are Miley and Gaga, will Katy Roar or Sara be Brave, and why on earth didn’t Lorde get a best new artist nod? Eight members of our staff sat over kale laced smoothies, and discussed our love of Kacey Musgraves, Neko Case, and Alabama Shakes, although we do not believe any will win in their respective categories. Instead, we came to an agreement on who we think will vs. should take home the coveted Grammy Award in the following fourteen categories...
Record of The Year:
Prediction - Get Lucky, Daft Punk
Should - Get Lucky, Daft Punk
Album of The Year:
Prediction - The Heist, Macklemore and Ryan Lewis
Should - good kid, m.A.A.d city, Kendrick Lamar
Song of The Year:
Prediction - “Royals,” Joel Little & Ella Yelich O'Connor, songwriters (Lorde)
Should - “Same Love,” Ben Haggerty, Mary Lambert & Ryan Lewis, songwriters (Macklemore & Ryan Lewis Featuring Mary Lambert)
Best New Artist:
Prediction - Ed Sheerran
Should - Macklemore & Ryan Lewis
Best Pop Solo Performance:
Prediction - “Royals,” Lorde
Should - “Royals,” Lorde
Best Pop Duo/Group Performance:
Prediction - “Get Lucky,” Daft Punk
Should - “Blurred Lines,” Robin Thicke featuring T.I. & Pharrell
Best Pop Vocal Album:
Prediction - Pure Heroine, Lorde
Should - Unorthodox Jukebox, Bruno Mars
Best Rock Performance:
Prediction - “Radioactive,” Imagine Dragons
Should - “Always Alright,” Alabama Shakes
Best Rock Album:
Prediction - Mechanical Bull, Kings of Leon
Should - The Next Day, David Bowie
Best Alternative Music Album:
Prediction - Modern Vampires of The City, Vampire Weekend
Should - Trouble Will Find Me, The National
Best R&B Album:
Prediction - Girl On Fire, Alicia Keys
Should - Girl On Fire, Alicia Keys
Best Rap Album:
Prediction - good kid, m.A.A.d city, Kendrick Lamar
Should - good kid, m.A.A.d city, Kendrick Lamar
Best Country Album:
Prediction - Red, Taylor Swift
Should - Red, Taylor Swift
Best Urban Contemporary Album:
Prediction - Unapologetic, Rihanna
Should - Love and War, Tamar Braxton
Favorite Albums 2013: Special Edition
'Tis the season for "best of" lists, and reflecting on artists and events that impacted us in 2013. Our staff stepped aside this year, and asked three very special sisters to pick their ten favorite albums of 2013. After days of deliberation, Hailey, Morgan, and Casey, ages 9, 11, and 12, share their ten favorite albums of 2013:
Tegan and Sara - Heartthrob
HAIM - Days are Gone
Lorde - Pure Heroine
Sara Bareilles - The Blessed Unrest
Kacey Musgraves - Same Trailer Different Park
Katy Perry - Prism
Selena Gomez- Stars Dance
Danielle Bradbery - Danielle Bradbery
Demi Lovato - Demi
Ariana Grande - Yours Truly
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